Architor Space
1956 views
The ArchitorSpace photographs display my specific interest in and fears of enclosed areas within urban spaces. These banal places are typologies of contemporary post-industrial architectural aesthetic. The photographic strategy is to purposefully make these images heavy with absence; these forgotten deserted (non-sites) are environments that are entirely familiar revealing no history or functionality but yet are commonplace.

The environments depicted within the images are sites that conjure up subconscious memories pointing out the familiarity within the redundancy of blandness within postindustrial space. These unimaginative spaces that exist in the images are the enclosed public arenas in which you are viewed and exposed to the scrutiny of others. They reveal an emptiness that is particularly commonplace, that has become the current prominent state within the post-industrial spaces that we as a modern society navigate and inhabit.

I photograph these locations from a direct, frontal point of view, at sufficient distance to include the entire space creating a flat and melancholic state. These architectural portraits become places of a matter-of-fact that demonstrates a primary function of the still photograph, to record. The images are of spaces in which a building facade, alley or a corridor is virtually indistinguishable from another; repetition and redundancy collapse into an architectural singularity. Within the images, the subjects who otherwise occupy these spaces are engulfed into the void of here-could-be-anywhere, into the monumental dissolution of space in contemporary architecture.
Black & White Wall, Leiden, Netherlands
Blue Building, Los Angeles, Cal
Brooklyn Drive-thru, New York City
Buildings Brick Wall Facade, New York City
Cables from platform, Tokyo, Japan
Siting area in an old café in Budapest, Hungary
Car Ramps, Köln, Germany
Concert Blocks in the Back Alley, Mexico City, Mexico
Construction Walkway, Utrecht, Netherlands
Corrugated structure, Utrecht, Netherlands
Corrugated Sufaces in Albuquerque, New Mexico
Building façade of an Exterior Elevation, Budapest, Hungary
Finnish Train Going South, Finland
Fluoresent Staircase, Tokyo, Japan
Footstep part of an office building, Budapest, Hungary
Gated area with staircase, Tokyo, Japan
Looking out onto Street, Cologne, Germany
Open Street in Rotterdam, Netherlands
Outside staircase,Tokyo, Japan
Pink Wall Los Angeles, Cal
Power Plant's White Wall, Atlanta, GA
Ralroad & Buildings, Tokyo, Japan
Roof Top of Building, New York City
Scaffold Covering in Hamburg, Germany
Sculpture Office Building Lobby in Rome, Italy
Sundial on an old factory wall, Leiden, Netherlands
Terminal Floor, Mexico City
Time Clock, Havana, Cuba
Weathered Corrugated Wall, Outside the city of Leiden, Netherlands
White Corrugated Entrance in a loading dock in Leiden, Netherlands
Architor Space
1956 views
© Daniel Mirer
The ArchitorSpace photographs display my specific interest in and fears of enclosed areas within urban spaces. These banal places are typologies of contemporary post-industrial architectural aesthetic. The photographic strategy is to purposefully make these images heavy with absence; these forgotten deserted (non-sites) are environments that are entirely familiar revealing no history or functionality but yet are commonplace.

The environments depicted within the images are sites that conjure up subconscious memories pointing out the familiarity within the redundancy of blandness within postindustrial space. These unimaginative spaces that exist in the images are the enclosed public arenas in which you are viewed and exposed to the scrutiny of others. They reveal an emptiness that is particularly commonplace, that has become the current prominent state within the post-industrial spaces that we as a modern society navigate and inhabit.

I photograph these locations from a direct, frontal point of view, at sufficient distance to include the entire space creating a flat and melancholic state. These architectural portraits become places of a matter-of-fact that demonstrates a primary function of the still photograph, to record. The images are of spaces in which a building facade, alley or a corridor is virtually indistinguishable from another; repetition and redundancy collapse into an architectural singularity. Within the images, the subjects who otherwise occupy these spaces are engulfed into the void of here-could-be-anywhere, into the monumental dissolution of space in contemporary architecture.
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